- Features
- Production-Grade Build Quality
- The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.
- Versatile I/O Options
- Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI. The SUMO19M accepts up to 4K at up to 60 fps, or HD at up to 240 fps over HDMI, or the dual SDI inputs. Additionally, there are dedicated input selection buttons on the user interface to make A/B comparison between sources simple and simultaneous HDMI and SDI output of the corresponding input for routing to other monitors, recorders, or switchers.
- HDR Processing
- The SUMO19M’s 19″ 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/REC. 709 displays for on-set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio
- Daylight-Viewable LCD Screen
- The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
- X-Rite Calibration
- Like many high-end video and computer monitors, the SUMO19M can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo’s calibration input lets you use X-Rite’s separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.
- Continuous Power
- Dual 4-pin XLR inputs for power means that the SUMO19M can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the SUMO19M with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.
- In the Box
- Atomos SUMO19M 19″ HDR/High-Brightness Monitor
- Master Caddy II
- BattWing Mounting Bracket
- 2 x Desktop Feet
- Power Supply
- Limited 1-Year Warranty (Extends to 3 years
- Atomos SUMO19M Specs
Display | |
Panel Type | IPS-Type LCD |
Display Size | 19.0″ / 48.0 cm |
Screen Resolution | 1920 x 1080 |
Aspect Ratio | 16:9 |
Touchscreen | Yes |
Maximum Brightness | 1200 cd/m2 |
Bit Depth / Color Support | 8-Bit+FRC (1.07 Billion Colors) |
LUT Support | Yes |
Image Controls | Blue Only, False Color, Focus Peaking, Pixel-to-Pixel Zoom, Screen Markers, Waveform |
I/O | |
Video | 1 x HDMI 2.0 (HDMI Type A) Output 1 x 12G-SDI (BNC) Output 1 x HDMI 2.0 (HDMI Type A) Input 2 x 12G-SDI (BNC) Input |
Embedded Audio | HDMI: 8-Channel SDI: 12-Channel |
Audio | 1 x 3.5 mm Line Input 1 x 3.5 mm Headphone Output |
Built-In Speaker | None |
Card Slot | None |
Format Support | |
Video Format | SDI (8/10-Bit 4:2:2) DCI 4K: 24/25/30/50/60 UHD 4K: 24/25/30/50/60 1080p: 24/25/30/50/60/120 1080i: 50/60 720p: 50/60 HDMI (8/10-Bit 4:2:2) DCI 4K: 24/25/30/50/60 UHD 4K: 24/25/30/50/60 1080p: 24/25/30/50/60/120 1080i: 50/60 720p: 50/60 |
Video Signal Conversion | HDMI to SDI DCI 4K: 24/25/30/50/60 UHD 4K: 24/25/30/50/60 1080p: 24/25/30/50/60/120 1080i: 50/60 720p: 50/60 SDI to HDMI DCI 4K: 24/25/30/50/60 UHD 4K: 24/25/30/50/60 1080p: 24/25/30/50/60/120 1080i: 50/60 720p: 50/60 |
Power | |
DC Input Power | 14.4 VDC |
Battery Type | None |
Power Consumption | 75 W |
Mounting | |
Mounting | 10 x 1/4″-20 Female 5 x 3/8″-16 Female |
General | |
Dimensions (W x H x D) | 19.8 x 12.2 x 2.5″ / 50.4 x 31 x 6.3 cm 19.8 x 13 x 7.1″ / 50.4 x 33 x 18 cm, Including Stand |
Weight | 11.8 lb / 5.4 kg 13 lb / 5.9 kg, Including Stand |
- Use Cases
- On the DIT Cart
- Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen.
- Client/Director’s Monitor
- Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Compatible LUTs can be brought from Master Caddy media. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison. Images will pop off the bright 1200 cd/m² LCD panel, even in conditions with lots of ambient light.
- Studio Monitor
- In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.
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